Showing posts with label martial arts. Show all posts
Showing posts with label martial arts. Show all posts

Thursday, 24 April 2014

Pehlwani

Pehlwani (Hindi: पहलवानी, Urdu/Shahmukhi: پہلوانی, Punjabi: ਪਹਿਲਵਾਨੀ, Bengali: পালোয়ানি) or kusti (Hindi: कुश्ती,Marathi: कुस्ती, Urdu/Shahmukhi: کشتی, Punjabi: ਕੁਸ਼ਤੀ, Bengali: কুস্তি) is a form of wrestling from South Asia. It was developed in the Mughal era by combining native malla-yuddha with influences from Persian koshti pahlavani.[1][2] The words pehlwani and kusti derive from the Persian terms pahlavani and koshti respectively.

A practitioner of this sport is referred to as a pehlwan while teachers are known either as guru or ustad, depending on their religion.[2] Many southern Indian practitioners of traditional malla-yuddha consider their art to be the more "pure" form of Indian wrestling, but most South Asians do not make this clear distinction and simply view kusti as the direct descendent of ancient malla-yuddha, usually downplaying the foreign influence as inconsequential.


The ancient South Asian form of wrestling is called malla-yuddha.[2] Practiced at least since the 5th millenniun BC,[3] predating the Indo-Aryan invasions,[4] and described in the 13th century treatise Malla Purana, it was the precursor of modern kusti.[1]

Malla-yuddha

Malla-yuddha (Devanagari: मल्लयुद्ध,[1] Tamil:மல்யுத்தம் malyutham, Telugu: మల్ల యుద్ధం, Kannada: ಮಲ್ಲಯುದ್ಧ, Bengali: মল্লযুদ্ধ) is the traditional South Asian form of combat-wrestling[2] created in what is now India, Pakistan, Bangladesh and Sri Lanka. It is closely related to various Southeast Asian wrestling styles such as naban and is the ancestor of kusti.

Malla-yuddha incorporates grappling, joint-breaking, biting, choking and pressure point striking. Matches were traditionally codified into four types which progressed from purely sportive contests of strength to actual full-contact fights known as yuddha.[3] Due to the extreme violence, this final form is generally no longer practised. The second form, wherein the wrestlers attempt to lift each other off the ground for three seconds, still exists in south India. Additionally, malla-yuddha is divided into four styles, each named after Hindu gods and legendary fighters: Hanumanti concentrates on technical superiority, Jambuvanti uses locks and holds to force the opponent into submission, Jarasandhi concentrates on breaking the limbs and joints while Bhimaseni focuses on sheer strength.


In Sanskrit, mallayuddha literally translates to "wrestling combat". Strictly speaking, the term denotes a single pugilistic encounter or prize-fight rather than a style or school of wrestling. It is a tatpurusha compound of malla (wrestler, boxer, athlete) and yuddha or juddho (fight, battle, conflict). The compound is first attested in the Mahabharata referring to boxing matches such as those fought by Bhima. Another word for a sportive wrestling match or athletic sports more generally is mallakrמḍa. The second element, krמḍa (sport, play, pastime, amusement) implies a more limited-contact style of folk wrestling rather than true grappling combat.

The term malla is in origin a proper name, among other things of an asura, known as mallגsura and the name of a tribe from the Malla Kingdom mentioned in the Mahabharata. The name Malla was also used in this sense for an ancient mahajanapada, a Nepalese dynasty descended from them, and the Mallabhum kingdom in Bishnapur. In the Manusmriti (10.22; 12.45), it is the technical term for the offspring of an out-caste kshatriya by a kshatriya female who was previously the wife of another out-caste.

Musti-yuddha muki boxing

Musti-yuddha is the traditional South Asian form of boxing.[1] The term literally means "fist combat", from the Sanskrit words muśti (fist) and yuddha (fight, battle, conflict). While this would originally have been used as a general term for any boxing art, today it usually refers to muki boxing from Varanasi, the only surviving unarmed style. In the Panjab there still exists an armed form of boxing called loh-musti in which the fighters wear an iron ring on one hand, although it is no longer used for sparring.

Aspiring boxers undergo years of apprenticeship, toughening their fists against stone and other hard surfaces, until they are able to break coconuts and rocks with their bare hands. Any part of the body may be targeted, except the groin, but the prime targets are the head and chest. Techniques incorporate punches, kicks, elbows, knees and grabs. Boxers wear no form of protection and fight bare-fisted. Matches may be one-on-one, one against a group, or group against group. Victory can be attained by knockout, ringout or submission.

History[edit]
Various types of boxing existed in ancient India. The earliest references to musti-yuddha come from classical Vedic epics such as the Ramayana and Rig Veda. The Mahabharata describes two combatants boxing with clenched fists and fighting with kicks, finger strikes, knee strikes and headbutts.[2] Duels (niyuddham) were often fought to the death. During the Western Kshatrapas dynasty, the Saka ruler Rudradaman - in addition to being an excellent horseman, charioteer and elephant rider - was said to be well-versed in "the great sciences" which included boxing, Indian classical music, Sanskrit grammar and swordsmanship.[3] The Gurbilas Shemi, an 18th-century Sikh text, gives numerous references to musti-yuddha.

The French General Allard commented on the boxing practiced by the early 19th-century Lahore army that "Duelling is not known in the army of Ranjit Singh. The soldiers settle their disputes with their fists; a brutal, and equally un-Christian, method of adjusting differences."[4] The particular form of boxing he referred to was loh-musti, practiced primarily in the northwest.

The British colonial introduction of western boxing in the 1890s caused a decline in native musti-yuddha, until only muki boxing survived in Varanasi. A city considered holy to Hindus, Varanasi has a tradition of annual boxing festivals dating back more than 300 years. Injuries were frequent and often severe. The colonial government once attempted to ban musti-yuddha from its last refuge, but the one-on-one matches were revived by a European police commissioner. The most famous post-independence fighters include Narayanguru Balambhat Deodhar and Lakshmanguru Balambhat Deodhar, both of whom were said to have been able to defeat 12 men at once. Musti-yuddha has become increasingly rare over time and by the 1960s was already being pushed further underground. Illegal matches are still held in Kolkata today and are frequented by gamblers.

Thang-ta

Thang-ta is a weapon-based Indian martial art created by the Meitei of Manipur.[1] In the Manipuri language, thang means sword and ta means spear, referring to the art's primary weapons. The spear can be used in its non-missile form while in close or thrown from afar. Other weapons include the shield and the axe. Because of Manipur's cultural similarity, geographic proximity and ethnic ties with Myanmar, thang-ta is closely related to banshay.

Thang-ta can be practiced in three different ways: ritual, demonstration and combat. The first way is related to the tantric practices and is entirely ritualistic in nature. The second way consists of a spectacular performance involving sword and spear dances. These routines can be converted into actual fighting practices. The third way is the true combat application. Thang-ta is closely related to certain war-dances, often blurring the line between dance and combat forms, such as thangkairol (sword dance) and khosarol (spear dance). Many ritualistic dances in Manipur were traditionally performed by martial artists such as the spear dance for funerals or the sacred thengou dance.

Sqay

Sqay is a South Asian martial art created by the Kashmiri people of the former state of Kashmir. It is today practiced mainly in what are now Azad Kashmir in Pakistan and the Kashmir Valley in India. Armed sqay makes use of a curved single-edge sword paired with a shield, while unarmed techniques incorporate kicks, punches, locks and chops.


The early history of sqay is limited to mythology. Folklore traces it to remote antiquity several thousand years ago, as far back as the ancient Kashmiri flood myth. During this time it was said to have been patronized even by kings and was at some point made compulsory for soldiers. The first written evidence of sqay dates to the Muslim period when writings told of sabre-fighting (shamsherizen) in Kashmir. The word sqay itself is first recorded in this period, and is said to mean "knowledge of war" in Persian. Sqay first began to decline in the colonial period but its popularity suffered more during the post-independence border conflict. In the 1980s, the sqay grandmaster Nazir Ahmed Mir feared that the art would go extinct, and so introduced modern types of competition influenced by karate and taekwondo. The subsequent founding of the International Council Of Sqay and the Sqay Federation Of India have allowed the system to be promoted on a national level, and it is now taught in twenty Indian states.

Silambam

Silambam (Tamil: சிலம்பம்) or silambattam (சிலம்பாட்டம்) is a weapon-based Indian martial art from Tamil Nadu, but also traditionally practised by the Tamil community of Sri Lanka and Malaysia. It is closely related to Keralan kalaripayat and Sri Lankan angampora. The word silambam refers to the staff which is the main weapon used in this system. Masters are called asaan (ஆசான்) while grandmasters are addressed as periyasaan (பெரியாசன்) or iyan (ஐயன்).

There are also numerous sub-sects in silambam like nagam-16 (cobra-16), kallapathu (thieves ten), kidamuttu (goat head butting), kuravanchi, kalyanavarisai (similar to quarterstaff), thulukkanam, and so on. These may differ from one another in grip, posture, foot work, length of the stick, etc.[1] Silambam may either be practiced for the purpose of combat (போர்ச் சிலம்பம் por silambam) or purely for demonstration (அலங்காரச் சிலம்பம் azhangara silambam).

Kalaripayattu

Kalaripayattu (pronunciation: [kɐɭɐripɐjɐtːɨ̆]) is an Indian martial art. One of the oldest fighting systems in existence,[1] it is now practiced in Kerala, in contiguous parts of Tamil Nadu and among the Malayali community of Malaysia. It was originally practiced in northern and central parts of Kerala and the Tulunadu region of Karnataka.[2]

Kalaripayattu includes strikes, kicks, grappling, preset forms, weaponry and healing methods.[2] Regional variants are classified according to geographical position in Kerala; these are the Northern style from Malabar region in north Kerala, the Central style from inner Kerala and the southern style from Travancore region of south Kerala. The southern Payattu system is now extinct and the Tamil style of "Adi Murai" is classified as the southern kalarippayattu.

The northern style was practiced in Kerala primarily by the Nairs and Yatra Brahmins, as well as the small Chekavar subcaste of the Ezhavas, some Muslims and Christians. The southern style, called Adi Murai, was practiced largely by the Nadars and similar castes; it has features distinguishing it from its other regional counterparts.[3] Northern kalaripayattu is based on elegant and flexible movements, evasions, jumps and weapons training, while the southern "Adi Murai" style primarily follows the hard impact based techniques with priority in empty hand fighting and pressure point strikes. Both systems make use of internal and external concepts.

Gatka

Gatka (Punjabi: ਗਤਕਾ gatkā) is a traditional South Asian form of combat-training in which wooden sticks are used to simulate swords in sparring matches.[1] In modern usage, it commonly refers to the northern Indian martial arts, which should more properly be called shastar vidiyā (ਸ਼ਸਤਰ ਵਿਦਿਆ, from Sanskrit sastra-vidya or "knowledge of the sword"). In English, the terms gatka and shastar vidya are very often used specifically in relation to the Panjabi-Sikh method of fighting. In actuality, the art is not unique to any particular ethno-cultural group or religion but has been the traditional form of combat throughout north India and Pakistan since at least the 6th century BC. Attacks and counterattacks vary from one community to another but the basic techniques are the same.[1] This article will primarily use the extended definition of gatka, making it synonomous with shastar vidya.

Gatka can be practiced either as a sport (khela) or ritual (rasmi). The sport form is played by two opponents wielding wooden staves called gatka. These sticks may be paired with a shield. Points are scored for touches on vital spots. The other weapons are not used for sparring, but their techniques are taught through preset routines.[2] The Mughal style called fari gatka uses a sword and shield. The Manipuri style, known as cheibi gatka, is usually practiced with a 2-foot leather-encased cudgel which may be paired with a leather shield measuring one metre in diameter. The ritual form is purely for demonstration and is performed to music during occasions such as weddings.


This section does not cite any references or sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (April 2014)
Origins[edit]
Gatka originated in what is now northern India and neighbouring Pakistan where the regional system of fighting is today most commonly termed shastra-vidiya, originally a classical Sanskrit word for armed combat. Its creation is attributed to the god Shiva and his devotees. Indeed, the oldest manual on the northern Indian fighting system was said to have been the Shiva Dhanurveda, at present no longer extant. The sage Vasistha is said to have based his own work, the Dhanuveda Samhita, on the aforementioned manual. Early Shaivite sages and Kapalika are credited as progenitors and disseminators of the art of combat, even the most peaceful of whom are recorded as being fierce when confronted by enemies.[3]

By the 6th century BC, ten fighting styles were said to have already been in existence, developed in different regions for use in different terrain. Their convergence is traditionally traced to the city of Takshashila in present-day West Punjab, Pakistan. Held in high regard by the eastern janapada for its connection to the ancient epics, Takshashila quickly became a hub of trade and higher education. Known especially for its schools of law, medicine and military sciences, the city attracted students from throughout. Takshashila provides the earliest tangible evidence of the teaching of systemised combat, particularly but not exclusively archery. But as a city built on scholarship with little in the way of natural defences, Takshashila witnessed a string of foreign rulers throughout its history before finally being sacked by the White Huns in the 5th century AD. The rest of India was spared from the Huns in large part due to the efforts of the rulers of Malwa, the Maukharis, the Vardhanas and others as the Indian kings rose up against the conquerors.

Beginning in the 10th century Muslim raiders began invading northern India, resulting in violent confrontations which would continue for centuries. The kshatriya dharma enjoined by the warrior caste gave rise to numerous warriors and communities regarded as heroes of the martial ethos, such as the Gurjaras and their later Rajput successors. In one famous battle, Muhammed of Ghor duelled Govinda-raja of Delhi. Each on horseback, Govinda lost his front teeth to the Ghorid's lance, but eventually won the contest by piercing his opponent's arm with his spear. Ultimately, the increasing number of Turkic adventurers from Central Asia brought most of north India under Muslim rule. Consequently, Middle Eastern weapons were adopted by the Indians, such as the talwar and shamshir. The South Asian of these weapons incorporated them into the indigenous techniques, making them unique rather than borrowing from the original Middle Eastern fighting style.

Sikh era[edit]
With the spread of Sikhism during the 15th-16th century, Sikhs in particular became renowned throughout South Asia for their stature, comparatively large build, and heavily militarized culture. Guru Nanak, the founder of the Sikh religion, was born into a kshatriya family and according to Nihang tradition was taught the art of combat by Natha sadhus, a sect of ascetics. His successor, Guru Angad Dev, taught followers to train the body physically, mentally and spiritually, encouraging the practice of martial arts. One of Guru Nanak's early disciples, Baba Buddha, taught the boy who would eventually become the sixth Sikh patriarch, Guru Hargobind. He founded the original Sikh fighting school, the Ranjit Akhara (lit. "invincible training hall") at Amritsar, with its armed force known as the Akal Sena or "invincible army". He propagated the theory of the warrior-saint (miri-piri) and emphasized the need to practice fighting for self-defence against the Mughal rulers, during the reign of Aurangazeb, due to growing animosities. The Mughals themselves were patrons of gatka; Emperor Akbar is recorded as practicing with a sword and shield everyday.

The tenth patriarch, Guru Gobind Singh was a master of armed fighting who galvanized the martial energies of the Sikh community by founding the Khalsa brotherhood in 1699. The Khalsa's aims were to fight oppression, assist the poor, worship the one God, abandon superstition, and defend the freedom of faiths. This is symbolised by the kirpan or dagger, one of the five Ks which every baptised Sikh is required to carry. In regards to training the brotherhood, Guru Gobind Singh pledged that he would "teach the sparrow to fight the hawk". Women faced no restriction from learning the use of weapons, due to the Guru's teaching of gender equality. The Nihang, a stricter order of Sikh warriors, exemplified his principles of combining spirituality with combat training.

Following the Second Anglo-Sikh War of 1848 to 1849 and the establishment of the British Raj, the Sikh martial traditions and practitioners suffered greatly. Ever wary of the Sikhs, the British ordered effective disarmament of the entire Sikh community. The Nihang, considered the keepers of all Sikh traditions, were regarded as disloyal to the colonists. More than 1,500 Nihang were killed by the British for plotting rebellion. According to folklore, some fled and spent the rest of their lives in the northern mountains.

During the Indian Rebellion of 1857, the Sikhs assisted the British in crushing the mutiny. As a consequence of this assistance, restrictions on fighting practices were relaxed, and gatka re-emerged after 1857.[4] The old method of sword training was used by the Khalsa Army in the 1860s as practice for hand-to-hand combat. Richard F. Burton describes gatka matches in which the swordsmen fight with a ribboned stick in one hand and a small shield in the other.

As Sikh colleges opened during the 1880s, European rules of fencing were applied to create what is now called khela or sport gatka. The European colonists also brought Sikhs from India to other British colonies to work as soldiers and security guards. Gatka is still practiced by the Sikh communities of former British colonies and neighbouring countries such as Malaysia, Singapore, Hong Kong and Thailand. Due to the large overseas Panjabi-Sikh community, it is has become a common misconception that gatka is practiced only by Sikhs.

Gatka today[edit]
Since India's independence from colonial rule, gatka has been managed and promoted in India by the Panjab Gatka Association and the Gatka Federation of India. The latter organization formulated and standardized rules and regulations for gatka as a sport, and providing free training through seminars, workshops and camps under the new rules. The Panjab & Chandigarh Education Departments have introduced gatka into the school sports calendars in the state, while the School Games Federation Of India also incorporated gatka into the 56th national school games calendar 2011-2012. Gatka is still practiced by some communities in Punjab, Pakistan but it does not get much support from the government. To promote and popularize the art outside India, the Asian Gatka Federation, Commonwealth Gatka Federation and World Gatka Federation have also been constituted. From 2011, the Panjabi University Patiala have started to host All India inter-varsity gatka championships annually.

Today gatka is most often showcased during Sikh festivals, as well as Independence Day and Republic Day celebrations in the Panjab. Gatka is one of the competitions held during an annual sporting event in the rural Indian city of Kila Raipur, and the Sikh community of Malaysia often holds gatka demonstrations during certain festivals. Once considered a diminishing art by UNESCO and SAARC, the intense and concerted efforts of these gatka federations has popularized it amongst the students in north India.